beauty in sound

On the Loss of Beauty in Sound and Form in Translation between Chinese and English

英汉双语转换中音美与形美的缺失

It holds that the main point of verse translation depends on versions to transmit the beauty in form, sound and sense and also reproduce the style of the original.

认为诗歌翻译的要点在于译文应传达原文的形美、音美与意美，同时对原文风格进行再创造。

The Chinese characters are said to possess beauty in sense, sound and form.

通常说中国文字具有意、音、形三美。

Chapter IV discusses aesthetic methods of transferring the beauty of ancient Chinese poetry& the transference of the beauty in sound, form and meaning by analyzing a few examples and hence searches for proper ways of translating the ancient Chinese poetry into English from the aesthetic perspective.

第四章通过具体的翻译实例，探讨了古典诗歌英译中的一些美学方法，即如何在翻译的过程中完美传递古典诗歌的音美、形美与意美。

The author of this thesis will discuss these shifts in the Tang Dynasty from two aspects: beauty in ideorealm and beauty in sound.

本文从意境美和音律美这两个方面入手，考察了七言绝句的艺术特征在唐代的发展、演变历程。

The poem translated must be in possession of three beauties: beauty in sound, form and artistic conception.

诗歌翻译应坚持以诗译诗的基本原则，译诗应具备三美：音美，形美，意美。

Furthermore, it has put forward how to realize brands'beauty in form, beauty in sound, and beauty in meaning by analyzing the basic rules and citing several examples of brand-translation.

本文根据美学原理阐述了商标翻译的美学原则，并结合商标翻译的基本准则和实例分析了翻译商标时，如何使译名具有形美、音美、意美等美学特征。

The previous studies of translating reduplicated words are mainly about how to recreate the words' beauty in form, and always neglect the beauty in sound.

以往对如何翻译叠词的研究当中，基本上都是侧重于如何在译文中再现汉语叠词的形美，而严重忽略了叠词的音美。

Beauty in Sense, Sound and Form-On Translation of English Trademarks into Chinese

意美、音美、形美&英文商标的汉译

This paper is aimed at discussing the methods of translating English trademarks into Chinese from the angle of the principle of equivalence theory, combined with the principle of "beauty in sense, form and sound".

本文从功能对等的理论出发，将意美、音美、形美作为衡量英文商标翻译成功与否的标准，探寻英文商标翻译遵循的技巧。

Couplets, as part of our folklore, are popular in China. Its unique art forms shown by the beauty in meaning, sound and form, take the fancy of the people.

楹联作为我国民俗的一部分，其独特的艺术形式所表现出来的意美、形美、音美为人们所喜爱。

Chapter IV probes into the possibility of reproducing the original beauty in meaning, sound and form hi the classical poetry translation from Chinese to English.

但是，英汉诗歌也有一些共同之处，如两者都具有形象性，音乐性，而且都大量运用意象。第四章探讨了英译中成功地再现中国古典诗词三美的可能性。

The beauty of classical Chinese poetry ( CCP) is embodied in its sound, form and sense.

中国古典诗歌的美集中体现在音美，形美，意美三方面。

So in poetry translation, the translator must be faithful not only to the beauty in meaning and form of the original but also to the beauty in sound.

译诗词时，既要忠实于原文的意美和形美，又要忠实于原文的音美。

He believes that since classical Chinese poetry is the combination of beauty in sense, sound and form, a translator should try his or her best to reproduce the "three beauties" of the original poetry. This theory has profound historical and cultural foundation.

许渊冲提出了诗歌翻译的三美理论，认为中国古典诗歌是意美、音美和形美的完美结合，翻译中应尽可能地再现原诗的三美。

The translation of poems needs preciseness in sense, beauty in sound, and accuracy in form to show the unique form and connotation of the original.

诗歌翻译需要意美、音美和形美，体现原作独特的形式和内涵。